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作 者:陈镌[1] CHEN Juan
机构地区:[1]同济大学建筑与城市规划学院,上海200092
出 处:《新建筑》2024年第1期48-52,共5页New Architecture
摘 要:在机器美学和诚实信条的影响下,平滑表面构成了现代建筑早期顶棚面的主流理想图景,其意义、实现的形式和方式都随着时代发展而不断变化。顶棚设备系统末端从最初位于顶棚面的下方,发展到早期吊顶时的平齐,再到当代的其后。吊顶面在当代变得独立的同时也获得了实用性之外的美学意义,吊顶空间所整合的环境调控技术提供了呼应外部环境的可能性。技术由外显至内隐的表现变化,使得环境因素对建筑的影响可以超越单纯的形式。Under the influence of machine aesthetics and honesty creed,flat surfaces formed the mainstream ideal image of ceilings in early modern architecture,and their significance,forms and methods of implementation have constantly changed with the development of the times.The end of the ceiling equipment system has evolved from being initially located below the ceiling surface,to being flush in the early days of suspended ceilings,and then to being behind in contemporary times.While the suspended ceiling surface has become independent in contemporary times,it has also gained aesthetic significance beyond practicality.The environmental management technology integrated in the suspended ceiling space provides the possibility of responding to the external environment.The change in technical expression from explicit to implicit,allows environmental factors to have an impact on architecture that goes beyond mere form.
分 类 号:TU201[建筑科学—建筑设计及理论] TU83
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