知觉锚固——一种源于体验又归于体验的建筑设计方法  

Perceptual Anchoring:An Architectural Design Method Originating from and Returning to Experience

作　　者：庞博宇 曹海婴[1] PANG Boyu;CAO Haiying

机构地区：[1]合肥工业大学建筑与艺术学院,合肥230601

出　　处：《新建筑》2024年第1期53-57,共5页New Architecture

摘　　要：知觉现象学作为从主观感性体验出发的本体论和认识论,难以直接指向客观理性的设计方法论,这也是当代“知觉现象学”建筑作品设计手法较难解译的原因。文章结合梅洛-庞蒂“知觉现象学”与斯蒂文·霍尔“锚固”的概念,提出“知觉锚固”是现象学设计方法的起点,进而指出循由“触感—聚焦—身体图式”的实体体验设计操作,以及循由“延伸—暗示—叙事”的精神体验设计操作,最终将知觉锚固转化为理解和设计建筑作品的途径,以期解译基于知觉现象学的设计手法。As an ontology and epistemology based on subjective perceptual experience,it is difficult to direct to the objective and rational design methodology,which is also the reason why the design methods of contemporary“perceptual phenomenology”architectural works are difficult to interpret.Combining the concepts of Merleau-Ponty’s“perceptual phenomenology”and Steven Hall’s“anchoring”,this paper proposes that“perceptual anchoring”is the starting point of the phenomenological design method,and then points out that the design operation of physical experience is based on“touch-focus-body schema”,and the design operation of spiritual experience is based on“extension-suggestion-narrative”.Finally,the“perceptual anchoring”is transformed into the approach of architectural design works,in order to interpret the design technique based on“perceptual phenomenology”.

关 键 词：知觉现象学 知觉锚固 体感体验 精神体验 设计手法 

分 类 号：TU201[建筑科学—建筑设计及理论]