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作 者:赖静怡 谢君兰 Lai Jingyi;Xie Junlan(Sichuan University)
机构地区:[1]四川大学文学与新闻学院
出 处:《写作》2024年第1期78-86,共9页Writing
摘 要:以往论者对顾城的诗歌研究主要基于“童话诗人”“朦胧诗人”的定位展开,对“童真”“批判”主题的强调遮蔽了有关爱情的隐秘表达。通过梳理顾城诗歌中被长期忽视的“爱情诗”,可还原文本被误读、被掩盖的情感表达,发现其爱情诗中“爱与专制”交织的特点。顾城爱情诗呈现出“隐秘”的形态,从内部特质看,主要源于诗人复杂的人格;从外部机制看,朦胧诗特殊的阅读症候、同期诗人的爱情诗创作、“童话诗人”身份的意识形塑,三者均造成顾城爱情诗长期被遮蔽。Previous studies on Gu Cheng's poetry were mainly based on the positioning of a“fairy tale poet”and“hazy poet”.The emphasis on the themes of“innocence”and“criticism”obscured the hidden expressions of love.By sorting out the long neglected“love poems”in Gu Cheng’s poetry,we can restore the emotional expressions that have been misunderstood and concealed in the text,and discover the interweaving characteristics of“love and authoritarianism”in his love poems.The reason why Gu Cheng’s love poetry presents a“hidden”form is mainly due to the poet’s complex personality from the perspective of internal characteristics;On the other hand,from the perspective of external mechanisms,the special reading symptoms of hazy poetry,the love poetry creation of contemporary poets,and the conscious shaping of the identity of“fairy tale poets”have all caused Gu Cheng's love poetry to be obscured for a long time.
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