神话与现实的完美融合——拜厄特小说《太阳的影子》中的神话戏仿解读  

Fusion of mythology and reality An interpretation to the mythological parody in The Shadow of the Sun by A.S.Byatt

作　　者：吕静[1] LV Jing(School of Foreign Studies,Henan Polytechnic University,Jiaozuo 454000,Henan,China)

机构地区：[1]河南理工大学外国语学院,河南焦作454000

出　　处：《河南理工大学学报（社会科学版）》2024年第2期31-36,共6页Journal of Henan Polytechnic University:Social Sciences

基　　金：河南理工大学人文社会科学研究基金年度项目(SKND2023-10);河南理工大学人文社会科学研究基金年度项目(SKND2023-19)。

摘　　要：作为互文性的重要表现形式,戏仿在后现代主义的艺术形式中广泛存在。本文从拜厄特代表小说《太阳的影子》中对经典神话的戏仿入手,对神话原型夏洛特女士和小说主人公安娜的人物形象、性格特征以及命运结局等方面进行对比分析,探讨了维多利亚时期女性的生存状况以及知识女性找寻自我、重塑自我的艰难过程,进而展示拜厄特借助经典神话的戏仿将现实与历史进行融合的独特艺术手法。As an important representation of intertextuality,parody extensively exists in the artistic forms of postmodernism.Based on the study of the mythological parody in The Shadow of the Sun by A.S.Byatt,this paper makes comparisons between the mythological archetype the Lady of Shalott and the heroine Anna from the perspectives of character images,personalities and destines;discusses the existential situation of women as well as the difficult process of finding and remolding ego for intellectual women in Victorian age.Furtherly,this paper displays Byatt’s distinctive artistic technique of employing mythological parody to achieve the fusion of reality and history.

关 键 词：拜厄特 太阳的影子 女艺术家 神话戏仿 原型 

分 类 号：I206[文学—中国文学]