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作 者:叶珊彤 YE Shantong(Department of Chinese,Minnan Normal University,Zhangzhou 363000,Fujian,China)
出 处:《河南理工大学学报(社会科学版)》2024年第2期43-49,共7页Journal of Henan Polytechnic University:Social Sciences
摘 要:互文性理论认为任何文本都不是独立存在的,都需要通过一些方式来与其他文本相互作用、转换、吸收,模拟是其中一种互文方式。魏晋模拟意识盛行,阮籍《咏怀诗·其一》作为这一时期的产物,身上也带有其他作品的影子,尤其是“月夜不寐”意境的建构,吸纳了从先秦至曹魏的文学作品精髓。借助互文性视角考察,可以全面认识“月夜不寐”意境的生成轨迹:《月出》先引明月入诗,《明月何皎皎》后添“不寐”行为,《伤歌行》又加入动物描写,逐步奠定了“月夜不寐”意境的雏形。与前文本相比,《咏怀诗·其一》在接受互文的基础上又有所超越,建构起一个完整统一的意境结构,展示出意象浑融、情感隐幽以及规避“忧”因的创作特点,凸显阮籍对前文本的思考,进一步深化了“月夜不寐”意境的艺术张力,并深刻影响后文本的生成,在一系列互文过程中,表现出《咏怀诗·其一》的经典性。The theory of intertextuality holds that no text exists independently and they need to interact with,transform and absorb other texts in some ways,and imitation is one of them.The imitation consciousness prevailed in the Wei and Jin Dynasties.As the product of this period,Ruan Ji’s Yonghuai Poem One had the shadow of other works,especially the construction of the artistic conception of“sleeplessness on the moonlit night”,which absorbed the essence of literary works from the Pre-Qin Dynasty to the Cao and Wei Dynasties.With the help of the intertextual perspective,we can comprehensively understand the creation track of the artistic conception of“sleeplessness on the moonlight”:“Yuechu”first introduces the bright moon into the poem,“Mingyuehejiaojiao”adds the behavior of sleeplessness,“Shanggexing”adds animal description,and gradually establishes the embryonic form of the artistic conception o“f sleeplessness on the moonlit night”.Compared with the former text,the poem accept intertextuality and constructs a complete unified structure.Its artistic conception shows images melting,emotional privacy and circumvention indicates the cause of sorrow,and highlights Ruan Ji’s thinking before writing.The poem deepens the artistic tension,artistic conception and profound influence of the“sleeplessness on the moonlit night”,after the text generated.In a series of intertextuality,it shows the classic nature of Yonghuai Poem One.
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