从元代诗文描写看中华服饰文化交融——以质孙服、满池娇为例  

Explore Integration of Chinese Clothing Culture with Descriptions of Clothing in Yuan Poetry:A Case Study on Zhisun Robe and Pond Lotus Pattern

作　　者：苏日娜 姚昶宇 Surna;YAO Chang-yu(Minzu University of China)

机构地区：[1]中央民族大学民族学与社会学学院,北京100081

出　　处：《中华民族共同体研究》2023年第6期136-145,M0008,M0009,共12页Journal of the Chinese Nation Studies

基　　金：国家社科基金重大项目“中国古代北方多民族服饰文化融合及中华文化认同实证研究”(19ZDA183)的阶段性成果。

摘　　要：随着“以诗为日用”的文学观念在元代文坛上兴起,元代诗文具有了史料价值。元朝“华夷混一”的格局使各民族间的交往交流交融达到了一个新的高潮,中华服饰文化在多民族服饰文化汇聚交融中得到极大的丰富。本文立足于元代诗文的服饰描写,选取“质孙服”“满池娇”这两种具有代表性的元代服饰文化元素,通过考察其在发展演化过程中与不同民族服饰间的交流借鉴与吸收融汇,论证元朝时期中华服饰文化的发展。With the emergence of the literary concept of"taking poetry as a daily necessity"in the literary circles of the Yuan Dynasty,Yuan poetry serves as valuable historical material.The era witnessed a pinnacle of ethnic integration across the expansive landscape of China,characterized by the pattern of"same customs and universal decrees across the whole country."During this period,the system of Chinese clothing culture experiences significant enrichment through frequent interactions,exchanges,and integration with diverse ethnic clothing cultures.Drawing from descriptions of clothing in Yuan poetry,this article specifically focuses on two representative elements of clothing culture:the Zhisun robe and the pond lotus pattern.By examining how these elements interact,learn from,and integrate with clothing from various ethnic groups as they undergo development and evolution,the article sheds light on the progression of Chinese clothing culture during the Yuan Dynasty.

关 键 词：元代诗文 质孙服 满池娇 中华服饰文化交融 中华民族共同体 

分 类 号：I206.2[文学—中国文学] K247[历史地理—历史学] TS941.12[历史地理—中国史]