杜舍克钢琴奏鸣曲早期浪漫主义特征探究  

Study on the Early Romanticism Characteristics of J.L.Dussek's Piano Sonatas

作　　者：杨晨琛 YANG Chenchen(College of of Arts,West Anhui University,Lu'an 237012,China)

机构地区：[1]皖西学院艺术学院,安徽六安237012

出　　处：《皖西学院学报》2024年第1期145-150,156,共7页Journal of West Anhui University

基　　金：安徽省质量工程一般教学研究项目(2021jyxm1665);安徽省高校科学研究社科重点项目(2022AH051662)阶段性成果;安徽省社会科学创新发展研究课题攻关项目(2022CX149)阶段性成果。

摘　　要：钢琴奏鸣曲作为一种乐曲形式,从古典主义时期开始确立基本构架,在浪漫主义时期发展成熟,19世纪的作曲家们会在和声、调性等方面做出更大的突破,这一发展过程是值得探究的。杜舍克的钢琴奏鸣曲中对于细节的把控富有独特的时代性。通过对调性布局、远关系转调、拿波里和弦、减七和弦、下属和弦的运用分析,探讨其早期浪漫主义特征。As a form of music,piano sonata established its basic framework from the classical period and developed in the Romantic period.Composers in the 19th century would make greater breakthroughs in harmony and tonality,and this development process is worth exploring.The control of harmonic details in Dussek's piano sonatas is unique to the present.The characteristics of early Romanticism are discussed through the application and analysis of tonal layout,far-relation modulation,Napoli chord,diminished seventh chord and subordinate chord.

关 键 词：杜舍克 早期浪漫主义 过渡时期 钢琴奏鸣曲 

分 类 号：J624.1[艺术—音乐]