中国电影文化的伦理建构  

The Ethical Construction of Chinese Film Culture

作　　者：袁智忠[1] 田鹏 Yuan Zhizhong;Tian Peng(the Institute of Film Communication and Moral Education at Southwest University;the School of Journalism and Communication at Southwest University;Chongqing College of International Business and Economics,Chongqing,400715)

机构地区：[1]西南大学影视传播与道德教育研究所 [2]西南大学新闻传媒学院 [3]重庆对外经贸学院,重庆400715

出　　处：《民族艺术研究》2024年第1期39-49,共11页Ethnic Art Studies

基　　金：2023年度国家社科基金艺术学西部项目“新时代乡村电影的道德审视与伦理重建”(项目批准号:23EC212);西南大学2020年度中央高校基本科研业务费专项资金项目——创新团队项目“中国电影伦理思想研究”(项目批准号:SWU2009111)的阶段性研究成果。

摘　　要：在全球化时代,视觉文化转向、价值观多元化等趋势将中国电影文化不断推向未知与尴尬的境地。因此,中国电影文化的健康发展需要伦理的引导与规训。在“三大体系”建设的时代呼声中,中国电影文化应以传统伦理为基底,强调“文以载道”“以文化人”的价值观念,沿着电影文化的生成肌理,通过思想文化层面的共同体美学价值理念传续、叙事文化层面“手段善”与“目的善”的统一、镜头文化层面的诗性镜头建构,进行人类命运共同体语境下中国电影文化伦理价值体系的建构,助力中国电影自主知识体系的生产。In the era of globalization, trends such as the shift in visual culture and the diversification of values are constantly pushing Chinese film culture into unknown and awkward situations. Therefore, a healthy development of Chinese film culture requires ethical guidance and discipline. In the call for the construction of the “three major systems” in this era, Chinese film culture should be based on traditional ethics, emphasizing the values of “culture for conveying truth” and “educating people through culture”. Along the generative texture of film culture, through the continuation of the aesthetic values of the community at the ideological and cultural level, the unity of “suitable method” and “suitable purpose” at the narrative cultural level, and the construction of poetic footage at the footage cultural level, we can construct the ethical value system of Chinese film culture in the context of a community with a shared future for mankind, and assist the production of independent knowledge system of Chinese film.

关 键 词：中国电影伦理 文化伦理建构 镜头文化 叙事文化 思想文化 

分 类 号：J90[艺术—电影电视艺术]