“全球视野”下的民族舞蹈和世界舞蹈——兼谈中国舞蹈艺术的审美文化观  

The Ethnic Dance and World Dance in the“Global Perspective”:The Aesthetic and Cultural View in Chinese Dance Art

作　　者：慕羽[1] Mu Yu(Beijing Dance Academy,Beijing,100081)

机构地区：[1]北京舞蹈学院,北京100081

出　　处：《民族艺术研究》2024年第1期124-131,共8页Ethnic Art Studies

基　　金：“中国艺术学大系”之《中国舞蹈艺术批评论纲》的阶段性学术成果。

摘　　要：20世纪以来,以舞台演绎形态出现的中国各类舞蹈和舞剧都呈现出“民族性”与“世界性”的混融,所不同在于主体文化和他者文化的不同强调。从“渊源差异”角度,中国舞蹈可分为民族舞蹈与世界性舞蹈。从“时代性质”角度,当代中国应跳脱“现代即西方,传统即中国”的思维模式。两者的关系既体现为差异性,也可以有相融、互通、互补的因素。在自觉建构“中国式现代化”的舞蹈文化的过程中,既需要回望并重新发现“传统”,也需要在“全球视野”下“讲好中国故事”。Since the 20th century,all kinds of Chinese dances and dance dramas in the form of stage interpretation have shown a mixture of“ethnicity”and“cosmopolitanism”with the difference lying in different emphasis on the subject culture and the culture of otherness.From the perspective of“difference in origin”,Chinese dance can be divided into ethnic dance and global dance.From the perspective of“the nature of the times”,contemporary China should break away from the thinking pattern that“modernity is the West and tradition is China”.The relationship between the two is seen,on the one hand in difference,on the other hand in integration,interoperability and complementarity.In the process of consciously constructing the dance culture of“Chinese modernization”,it is necessary to look back and rediscover“tradition”,as well as to“tell a good Chinese story”under the“global vision”.

关 键 词：全球视野 全球在地化 民族舞蹈 世界性舞蹈 审美文化观 

分 类 号：J701[艺术—舞蹈]