《太平记》“黄粱梦事”的生成  

The Generation of"Huangliang Dream"in Taiheiki

作　　者：虞雪健 Yu Xuejian(School of Cultural and Social Studies,The Graduate University for Advanced Studies)

机构地区：[1]综合研究大学院大学文化科学研究科

出　　处：《日语学习与研究》2024年第1期108-117,共10页Journal of Japanese Language Study and Research

摘　　要：《太平记》卷二十六所载“黄粱梦事”是日本黄粱梦故事的雏型,它对日本后世黄粱梦故事的改编和流播有着深远的影响。其典故出处、与《太平记》主线故事的关联等问题众说纷纭。本文通过比较《枕中记》原文,认为类书或诗注中的节文更有可能成为其直接出典,并通过分析中日两国叙述环境的差异,揭示了出典考据在方法论上的局限性。基于“黄粱梦事”的文本特征,从《太平记》对汉籍的运用、日本人想象中的唐土形象、与主线故事的关联、参照其他原型故事等方面,对文中不存在于中国黄粱梦故事中的情节设定展开了多视角的探讨。从“以梦说梦”的内在逻辑和主线中“宝剑风波”事件的虚构逻辑角度,论证了“黄粱梦事”在该卷乃至《太平记》中的重要地位。As the rudiment of the Japanese Huangliang Dream story,“Huangliang Dream”in Volume 26 of Taiheiki influenced the adaptation and dissemination of all Japanese Huangliang Dream stories in later generations.However,there are different opinions on the source of its allusions and its relationship with the main story of Taiheiki.This paper confirms the possibility that compared with the original text of The World Inside a Pillow,the sections in Leishu became the direct source of allusions.By analyzing the differences of narrative environment between China and Japan,this paper points out the limitations of methodology in allusion research.On this basis,starting from the text features,this paper discusses the plot setting that does not exist in the Chinese Huangliang Dream story from the perspectives of the application of Chinese books in Taiheiki,the image of China imagined by Japanese people,the connection with the main story,and the possibility of referring to other“prototype”stories.From the points of view of the internal logic of“talking about dreams with dreams”and the fictional logic of“the sword event”in the main line,this paper demonstrates the important role of“Huangliang Dream”in this volume and even the whole Taiheiki.

关 键 词：太平记 黄粱梦 出典 原型 神器 

分 类 号：I313.06[文学—其他各国文学]