纳博科夫小说《玛丽》的神话诗学解读  

Mythological Poetics Interpretation of Nabokov’s Novel Mary

作　　者：刘洁[1] LIU Jie(School of Foreign Languages,Tibet University,Lhasa Tibet 850000,China)

机构地区：[1]西藏大学外国语学院,西藏拉萨850000

出　　处：《菏泽学院学报》2024年第1期97-100,共4页Journal of Heze University

摘　　要：纳博科夫的“诗性精神”与神话诗学的特质契合。其小说《玛丽》在文本层面移用流浪的神话母题,赋予了小说神话色彩;结构形式上采用类似神话中的垂直空间结构打造了双重艺术空间,并通过时空混溶摆脱现实束缚。其神话创作思维来自对想象的推崇,并借助回忆手段扩展想象的边界。Nabokov’s“poetic spirit”resonates with the characteristics of mythological poetics.His novel Mary appropriates wandering mythological themes at the textual level,imbuing the novel with a mythological hue.Structurally,it adopts a vertical spatial structure similar to that of mythology,creating a dual artistic space,and liberates itself from reality constraints through the fusion of time and space.His mythological creative thinking stems from his reverence for imagination,and he expands the boundaries of imagination through the means of recollection.

关 键 词：纳博科夫 《玛丽》 神话诗学 

分 类 号：I712.074[文学—其他各国文学]