《水浒后传》中的女性群像研究  

A Study of Female Characters in The Sequel to Water

作　　者：董艳玲 张建伟 赵欣[2] DONG Yan-ling;ZHANG Jian-wei;ZHAO Xin(School of Humanities and Journalism,Heze University,Heze Shandong 274015,China;Library of Heze University,Heze Shandong 274015,China)

机构地区：[1]菏泽学院人文与新闻传播学院,山东菏泽274015 [2]菏泽学院图书馆,山东菏泽274015

出　　处：《菏泽学院学报》2024年第1期120-124,共5页Journal of Heze University

基　　金：菏泽市社科联委托课题(WT-2021-5);山东省艺术重点课题(L2021Z07070305)。

摘　　要：作为水浒故事的余波与延宕,《水浒后传》塑造了一系列的女性形象,对《水浒传》中的女性有继承也有发展。尽管她们不是《水浒后传》中的主要人物,但通过水浒英雄对她们的态度,能在一定程度上反映出当时社会以及作者的女性观。在新旧文化的冲突之下,作者的贞节观也存在矛盾之处。As a continuation and aftermath of the Water Margin story,The Sequel to Water Margin portrays a series of female images,inheriting and developing from those in the original Water Margin.Although they are not the main focus of The Sequel to Water Margin,the attitudes of the Water Margin heroes towards these female characters to some extent reflect the societal views on women during that time,as well as the author’s perspective.Amidst the clash between old and new cultures,there are contradictions in the author’s chastity view.

关 键 词：《水浒后传》 女性形象 女性观 贞节观 

分 类 号：I207.412[文学—中国文学]