袁枚交游群“生挽”诗创作并唱和现象初探  

A preliminary study on the phenomenon of Yuan Mei's social group's creation and singing of"Life and Elegy"poems

作　　者：陈月莲 金春媛 CHEN Yuelian;JIN Chunyuan(School of Humanities,Shenzhen University,Shenzhen 518061,China)

机构地区：[1]深圳大学人文学院,广东深圳518061

出　　处：《佛山科学技术学院学报（社会科学版）》2024年第2期76-84,共9页Journal of Foshan University(Social Science Edition)

摘　　要：乾隆五十五年(1790年)冬,袁枚发起了一场“生挽”诗创作并唱和活动,在文坛上引起较大反响。袁枚之所以活着时便自作挽诗并索和,是为了排遣其病中心理焦虑、回应道士胡文炳的谶言和反叛浇薄世风。《续同人集》所收32人“生挽”唱和诗,集中体现了乾隆末期部分江南文人乖离于世俗的生死观、人生价值观。此次群体赓和之风,革新了“生挽”诗的创作方式和文学体式,且细化了“挽歌”在文学总集中的文体分类。探究这一文化现象,有助于厘清挽歌诗的文学发展,深入认识乾隆末期江南文人群的创作心态、品性情志和价值观念。In the winter of the 55th year of Emperor Qianlong(1790),Yuan Mei initiated a poetry creation and singing activity called"living elegy",which aroused a great response.The reason why Yuan Mei wrote a poem together when he was alive was to relieve her psychological anxiety in his illness,and to respond to the Taoist priest Hu Wenbing's prophecy and oppose the world style.The 32 songs and poems of"life"collected in"Continuation of Poet's Anthology"reflect the secular view of life and death and life values of some Jiangnan literati at the end of Qianlong period.The trend of collective harmony this time has innovated the creative method and literary style of"life elegy"poetry,and refined the stylistic classification of"elegy"in the literary collection.Exploring this cultural phenomenon is helpful to clarify the literary development of elegy poetry,and to deeply understand the creative mentality,character,feelings and values of the Jiangnan literature people in the late Qianlong period.

关 键 词：袁枚 生挽 清代唱和 《续同人集》 

分 类 号：I206.49[文学—中国文学]