《他们眼望上苍》的空间隐喻与身份构建  

The spatial metaphor and identity pursuit in"Their Eyes were Watching God"

作　　者：陈小红[1] 李嘉颖 CHEN Xiaohong;LI Jiaying(School of Foreign Languages,Guangzhou University,Guangzhou 510006,China)

机构地区：[1]广州大学外国语学院,广东广州510006

出　　处：《佛山科学技术学院学报（社会科学版）》2024年第2期85-90,共6页Journal of Foshan University(Social Science Edition)

基　　金：广东省研究生示范课程建设项目(2022SFKC053)。

摘　　要：通过用列斐伏尔空间生产理论探讨《他们眼望上苍》中主人公珍妮黑人女性身份与种族、性别空间的内在关联,我们认为:种族空间反映了珍妮非白——非黑——黑白融合的交错种族身份构建;性别空间揭示了珍妮隐忍——主动发声——独立、自由的过程性别身份建构。解码《他们眼望上苍》的不同空间隐喻,有利于拓展黑人女性身份构建的研究。Based on Lefebvre's spatial production theory,this paper discusses the intrinsic connection between Janie's black female identity and different spaces,including racial space,gender space in Their Eyes were Watching God.It is found that the intertwined racial space reflects the construction of Janie's racial identity from non-white,non-black,to white and black integration;The interactive gender space reveals the construction of Janie's gender identity from tolerating men,actively fighting against them to gaining independence and freedom from them;Decoding the different spatial metaphors in Their Eyes weree Watching God expands the research on the black female identity construction.

关 键 词：赫斯顿 《他们眼望上苍》 珍妮 黑人女性身份 空间隐喻 

分 类 号：I712.074[文学—其他各国文学]