顾景星骚体赋对屈骚传统的继承与开拓  

GU Jingxing's Inheritance and Expansion of the Qu Sao Tradition in the Sao Style Fu

作　　者：马银川 MA Yinchuan(Nishan World Centre for Confucianism(Secretariat of China Confucius Foundation),Jinan 250000,China)

机构地区：[1]尼山世界儒学中心(中国孔子基金会秘书处),山东济南250000

出　　处：《枣庄学院学报》2024年第1期35-40,共6页Journal of Zaozhuang University

摘　　要：清初明清易鼎、满汉易位的特殊时期,屈骚精神得以进一步发扬,骚体赋创作日兴。顾景星作为顺治朝骚体赋作品最多的赋家,其创作具有一定的代表性。在文学创作理念上,追求以经世为旨,以自然为本,强调古为今用,并以此统领骚体赋创作。义旨上进一步开拓,在传统题材中注入时代因素和不同的人生理念与追求;形式上袭用屈宋辞赋模式,同时采取不同的书写策略,如援引典故代言、拓展空间范围、强化战争因素等,形成味蕴自深、雄赡沉博的审美风格。由个体而一般,在清初骚情淋漓的创作风尚中,顾景星的骚体赋创作体现出清人继承传统而又力求自成一家的创新意识。During the special period of the early Qing Dynasty,when Ming and Qing dynasties changed their positions and Manchu and Han dynasties changed their positions,the spirit of Qu Sao was further developed and the creation of Sao Style Fu was on the rise.GU Jingxing,as the author of the largest number of works in the Shunzhi Dynasty,an aesthetic style that is profonnd in flavor and profonnd in character.In the concept of literary creation,he pursued the purpose of the world,the nature,and emphasised on the use of the past for the present,and led the creation of the Sao Style Fu in this way.He injected the factors of the times and different life concepts and pursuits in the traditional subjects,and further developed in the righteousness;formally inherited the Qu and Song fu mode,while taking different writing strategies,such as invoking allusions to endorsement,expanding the scope of the space,and strengthening the factors of the war,etc.,to form has acertain representa tiveness in his creatiows.From individual to general,in the early Qing Dynasty,the creative style of the Sao feeling,GU Jingxing's Sao Fu creation reflects the Qing people inherit the tradition and strive to create their own innovative consciousness.

关 键 词：顾景星 骚体赋 屈骚传统 经世致用 

分 类 号：I206.2[文学—中国文学]