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作 者:胡全伟 Hu Quanwei(Lu Xun Art Institute,Yan’an 716000,China)
出 处:《黑河学院学报》2024年第2期143-146,共4页Journal of Heihe University
摘 要:巴斯蒂安和汤普森两人相隔50年,二者的音乐理念也大相径庭,两人有着雷同的经历,在钢琴启蒙研究中有着相同的志向,且二者都完成了从演奏家向音乐教育家的身份转变。二者研究内容都将钢琴启蒙教程作为研究着眼点,并编写了钢琴教程,这对钢琴启蒙教育研究大有裨益。《巴斯蒂安钢琴教程》与《汤普森简易钢琴教程》在演奏内容、入门及演奏方式等方面有各自的要求及重点,应根据儿童的身心发展合理使用。Bastian and Thompson have been 50 years apart,and their musical concepts are also very different.However,they have the same experience and have the same ambition in the study of piano enlightenment,and both have completed the transformation from a performer to a music educator.In addition,they both take the piano enlightenment tutorial as the research in terms of the research content,and write the piano tutorial,which is of great benefi t to the research on piano enlightenment education.Bastian Piano Tutorial and Thompson Simple Piano Tutorial have their own requirements and key points in terms of playing content,introduction and playing methods,and should be used reasonably according to children’s physical and mental development.
关 键 词:钢琴启蒙 《巴斯蒂安钢琴教程》 《汤普森简易钢琴教程》
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