关中唐碑中唐代书坛的正大气象  

A Study on the Majestic Features of Calligraphy in the Tang Dynasty from the Guangzhong Tang Steles

作　　者：王彩凤[1] Wang Caifeng(School of Culture and Education,Xi’an Innovation University,Yan’an University,Xi’an 710100,China)

机构地区：[1]延安大学西安创新学院文教学院,陕西西安710100

出　　处：《黑河学院学报》2024年第2期177-180,共4页Journal of Heihe University

基　　金：延安大学西安创新学院科研基金资助项目“关中唐碑的审美风格研究”(2022XJKY-11)。

摘　　要：古代碑刻既是保存历史资料的重要文物,也是传承书法艺术的重要载体。陕西关中历代名家名碑,从《石台孝经》到《孔子庙堂碑》,从欧阳询《黄甫诞碑》到高僧怀仁集王羲之书的《大唐三藏圣教序碑》,从篆书《美原神泉诗序》到行书《慧坚禅师碑》等,不仅完整再现了中国古代文字篆、隶、楷、行、草的发展轨迹,记录了中国汉字的书写史和风格演变史,对于研究中国古代书法艺术也具有重要的意义和价值。Ancient steles are viewed as not only important cultural relics that preserve historical data,but also important carriers of calligraphy art.There are countless famous steles in Guangzhong,Shaanxi,such as The Stony Scripture of Filial Piety,The Confucius Temple Stele,The Huangpu Dan Stele by Ouyang Xun,The Great Tang Sutra Sectarianism Stele by the monk Huairen,The Meiyuan Shinquai Poem Preface in seal script,and The Huijianchan Monk Stele in running script,which not only accurately reproduce the development path of Chinese ancient scripts(seal,regular script,semicursive script,regular script and grass script),but also records the writing history and style evolution history of Chinese characters.Therefore,ancient steles have important significance and value for studying the calligraphy art of the Tang Dynasty in China.

关 键 词：关中唐碑 正大气象 颜筋柳骨 

分 类 号：J292[艺术—美术]