中国早期现代风格艺术歌曲的技法维度——基于钢琴伴奏的观察及相关文献的辨析  

The Techniques of Early Chinese Modern Art Songs:Based on the Observation of Piano Accompaniment and the Analysis of Related Literature

作　　者：崔岚 Cui Lan

机构地区：[1]上海音乐学院声乐歌剧系,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2023年第4期132-141,共10页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：现代风格艺术歌曲是中国艺术歌曲的重要组成部分,其钢琴伴奏不仅有特定的艺术表现功能,还成为现代风格的重要标识,显现出现代作曲技法的维度。这种现代技法风格最先诉诸为五声性旋律所编配的钢琴伴奏,可视为和声民族化的结果,同时也不乏凸显现代音乐风格的技法运用。蕴含在钢琴伴奏中的现代作曲技法涉及多个现代作曲技法体系,成为观测20世纪上半叶中国现代音乐发展的一个窗口。The piano accompaniment of modern art songs shows the dimension of modern composition techniques,and this style first resorts to the piano accompaniment arranged for pentatonic melodies,so it can be regarded as the result of harmonic nationalization,but there are also techniques that highlight modern musical styles.The modern composition techniques contained in the piano accompaniment involve a number of modern composition technique systems,and have also become a window to observe the development of modern music in China in the first half of the 20th century.

关 键 词：艺术歌曲 现代风格 钢琴伴奏 现代技法 和声民族化 

分 类 号：J624.1[艺术—音乐]