中国早期现代风格钢琴独奏曲探微——从江文也《素描五首》到桑桐《在那遥远的地方》  

Exploring the Early Modern Chinese Works for Piano Solo:From Jiang Wenye's Five Sketches to Sang Tong's In That Distant Place

作　　者：孙铿亮[1] Sun Kengliang

机构地区：[1]南京艺术学院音乐学院,南京210013

出　　处：《音乐艺术（上海音乐学院学报）》2023年第4期142-150,共9页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：20世纪上半叶,中国钢琴独奏曲中的部分作品已具有现代技法风格。从江文也的《素描五首》到桑桐的《在那遥远的地方》,早期现代风格钢琴独奏曲通过和声半音化、调性扩展,以及对调性的“回避”和“破坏”,显露出“调式半音体系”“自由无调性”等现代作曲技法的要素或特征,体现出20世纪上半叶中国作曲家对西方现代音乐及其作曲技法的借鉴,成为中国早期现代音乐的重要组成部分。From Jiang Wenye's Five Sketches to Sang Tong's In That Distant Place,early modern solo piano works reveal the elements or characteristics of modern composition techniques such as""tonal chromatic system"and"free atonality"through harmonic chromatinization,tonal expansion,and"avoidance"and"destruction"of tonality,reflecting the borrowing of Western modern music and its composition techniques by Chinese composers in the first half of the 20th century,and becoming an important part of early Chinese modern music.

关 键 词：钢琴独奏曲 现代风格 中国现代音乐 现代作曲技法 

分 类 号：J624.1[艺术—音乐]