坡芽歌书图形符号现代设计重构  

Modern Design Reconstruction of Graphic Symbols in Poya Song Book

作　　者：王勇坚[1] WANG Yongjian(School of Fine Arts and Design,Wenshan University,Wenshan Yunnan 663099,China)

机构地区：[1]文山学院美术与设计学院,云南文山663099

出　　处：《文山学院学报》2023年第6期56-59,共4页Journal of Wenshan University

摘　　要：发现于云南文山州富宁县的坡芽歌书文化遗产中的图形符号具有图标与象形文字的视觉设计特征,在当代社会经济发展及全球数字智能时代背景下,对这些图形符号进行矢量化及数字化设计是基于非遗传承的保护与开发以及对民族文化艺术宣传与推广的必要方法手段,在设计重构的过程中挖掘民族文化的精髓,展现云南壮族文化特色,运用科技设计手段结合民族文化艺术进行数字化展现是当代艺术设计学科和社会文化发展的一大趋势,是遵循国家乡村振兴政策下对民族文化遗产进行的保护性设计尝试。The graphic symbols found in Poya Song Book,a cultural heritage in Funing County,Wenshan Prefecture,Yunnan Province,have the visual design features of ICONS and pictographs.Under the background of contemporary social and economic development and global digital intelligence era,vectorization and digital design of these graphic symbols is a necessary method to protect and develop intangible cultural heritage,and to promote national culture and art.In the process of design reconstruction,the essence of ethnic culture should be excavated,Yunnan Zhuang cultural characteristics should be displayed,It is a trend of the development of contemporary art and social culture to use the means of scientific and technological design in combination with the national culture and art to display digitally.It is an attempt to protect the national cultural heritage under the national rural revitalization policy.

关 键 词：坡芽歌书 图形符号 设计重构 数字化 

分 类 号：J607[艺术—音乐]