圣王、高士与神仙:南朝陵墓拼砌砖画的布局与意义  

Monarch,Sages and Immortals:The Arrangement and Significance of the Southern-dynasty Tombs'Stamped-Bricks

作　　者：王煜[1] Wang Yu

机构地区：[1]四川大学考古文博学院

出　　处：《故宫博物院院刊》2024年第2期106-118,152,153,共15页Palace Museum Journal

基　　金：2021年度国家社科基金重点项目“考古所见魏晋南北朝隋唐时期天文材料的整理与研究”(项目编号:21AKG009)的阶段性成果之一。

摘　　要：至迟在南朝萧齐时期,形成了陵墓拼砌砖画的完整形制,并且至少在萧梁时得到沿用。墓壁后部的“竹林七贤与荣启期”,如同屏风围绕在墓主周围,借这些“不宾之士”,强调帝王“明王圣主”的品质和追求,是南朝特有的政治文化和观念的反映。墓壁其他部分为由龙虎引导的上层“天人”和下层仪仗出行的组合,总体上以仪仗卤簿表达墓主身份并以升仙为目的,由于墓室空间的限制,这一部分被挤压而显得布局奇特。透过对南北朝陵墓和墓葬图像的对比观察,或许有助于墓葬文化研究的深入推进。The pattern-stamped bricks used in tombs has got completely regularized and systemized in shape and size by the Xiaoqi period and kept in use through Xiaoliang period of the Southern dynasties.The assemblage of patterned-bricks make the illustration of'Seven Sages of the Bamboo Grove and Rong Qiqi'on the back wall of the tomb-chamber as a screen surrounding the tomb master,which implies that the monarch is wise and saint with lofty qualities and pursuits,meanwhile represents the Southern dynasties in history,culture and ideology this way.The rest walls of the chamber-tomb are illustrated with the immortals'guided by dragons and tigers above with the ceremonial procession below,which symbolizes the tomb-master's status and his wish to become immortal after death.The presentation of the ceremonial procession looks pressed in composition due to the limited spacial chamber.

关 键 词：南朝 陵墓 拼砌砖画 布局 意义 

分 类 号：K879.4[历史地理—考古学及博物馆学] K239.1[历史地理—历史学]