先唐时期枯槁概念的生命哲学内涵  

The Connotation of Withered Images in the Pre-Tang Literature from the Perspective of Life Philosophy

作　　者：管宗昌 GUAN Zongchang(College of Liberal Arts,Shantou University,Shantou,Guangdong,515063,China)

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《盐城师范学院学报（人文社会科学版）》2024年第2期88-98,共11页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

基　　金：国家社会科学基金一般项目“《管子》的生命理念与文章书写研究”(21BZW189)。

摘　　要：先唐时期的文献,尤其是文学作品中的枯槁概念,有着丰富的生命哲学内涵。一般情况下,枯槁被用以展现生命的完结和死亡状态,这时的枯槁往往充满对生命逝去的哀婉。死中望生是枯槁的重要内涵,展现出对新生的向往、生命一体化等哲学理念,这集中展现在枯杨生稊和空桑生人的神话传说中。《庄子》则赋予枯槁以具有鲜明道家特色的生命哲学内涵,在庄子笔下枯槁指喻虚寂,象征着保全天性和对生命本真的持守。在先唐另外一个政治话语系统中,枯槁则被视为灾异,呈现为生命的反常状态。这些都集中反映出古人对于生命的高度关注和丰富认知,也塑造出丰富的文学形态、认知体系。The withered images in the works of the Pre-Tang period have rich connotations from the perspective of life philosophy.In general,withered image is used to represent the end of life and the state of death,which is often full of lament over the deceased.However,it also contains another important connotation,viz.viewing death as the start of a new life,the cycle of life.The philosophical contemplation of a longing for rebirth and life circulation is reflected in the myths and legends,such as“the withered old poplar tree is reviving with tender buds”“hollow mulberry tree gives birth to a new baby”.It is represented by Taoism in Zhuang Zi,which is a metaphor of nihility and quietude,which symbolizes the preservation of nature and the essence of life.In the political discourses of the same period,it is considered as disaster and abnormal natural phenomenon,especially the abnormal state of life.All these reflect the ancient people’s incisive observation and in-depth research on life,which help shape the diversified forms of literature and cognition.

关 键 词：先唐 枯槁 生命哲学 死中望生 虚寂 

分 类 号：I206.2[文学—中国文学]