宏大与壮阔——20世纪五六十年代“劳动大场景”山水画的叙事特征  

Grandeur and Magnificence:Narrative Characteristics of"Grand Working Scene"Landscape Paintings of the 1950s and 1960s

作　　者：王志[1] Wang Zhi(the School of Art,Lianyungang Normal College)

机构地区：[1]连云港师范高等专科学校美术学院

出　　处：《美术》2024年第3期138-140,共3页Art Magazine

基　　金：江苏省教育科学规划重点课题项目《中国“劳动大场景”山水画的育人功能研究》(项目编号:B/2022/01/111)的阶段性研究成果。

摘　　要：20世纪五六十年代“劳动大场景”山水画是一种融合人物与山水的综合画体,借助以“人”“景”“物”为表现主体的三种视角,将传统笔墨与时代发展相结合,形成场面宏大、构图饱满的叙事特征,蕴含丰富的历史和文化内涵。The"grand working scene"landscape painting of the 1950s and 1960s is a kind of comprehensive painting that integrates figures and landscape.With the three perspectives of"figures","landscape"and"objects"as major subjects,this kind of painting connects traditional painting with the development of the times,constituting a narrative featuring grand scenes and rich content,which contains rich historical and cultural connotations.

关 键 词：劳动大场景 山水画 叙事方法 

分 类 号：K27[历史地理—历史学] J212[历史地理—中国史]