画史互鉴——长安画派作品中的人民形象  

Mutual Learning Between Painting and History:Images of the People in the Chang'an School's Artworks

作　　者：王欣 王曼利 Wang Xin;Wang Manli(the Faculty of Liberal Arts,Northwest University;Xi'an Chinese Painting Academy;Xianyang Normal University)

机构地区：[1]西北大学文学院 [2]西安中国画院 [3]咸阳师范学院

出　　处：《美术》2024年第3期141-143,共3页Art Magazine

摘　　要：长安画派以“人民”为核心表现对象,对“劳动着的人民”的捕捉传递了积极乐观、坚韧顽强的精神风貌;通过描绘少数民族群体的安定团结反映“民族一家亲”的民族政策;在人民当家做主的语境下彰显女性主体意识的觉醒。长安画派对人民形象的书写,不仅塑造了中华人民共和国建设时期的民族形象,也奠定了长安画派在中国美术史上的重要地位,展现出画史互鉴的深刻意义。With“the people”as core image,the Chang'an School conveys a positive,optimistic,and tenacious spirit by depicting“the people in work”,reflects the national policy of“the Chinese nation as one family”by depicting the stability and unity of ethnic minority groups,and demonstrates the awakening of women in the context of the people becoming the true masters of China.The depiction of the people by the Chang'an School has not only built the national image during the development period of the People's Republic of China,but established an important position of the Chang'an School in Chinese art history,demonstrating the profound significance of mutual learning between painting and history.

关 键 词：长安画派 劳动人民 少数民族 劳动女性 

分 类 号：K27[历史地理—历史学] J209.9[历史地理—中国史]