水墨语言在当代主题性创作中的叙事与转译——以石鲁《转战陕北》为例  

Narrative and Transformation of Ink Painting Language in Contemporary Theme-based Creation:Taking Shi Lu's Fight in Northern Shaanxi as an Example

作　　者：董亚娟[1] Dong Yajuan(the Plastic Art Department,Xi'an Academy of Fine Arts)

机构地区：[1]西安美术学院造型艺术部

出　　处：《美术》2024年第3期144-146,共3页Art Magazine

基　　金：陕西省教育厅2022年度重点科学研究计划项目(哲学社会科学重点研究基地类)《陕西红色图鉴的发掘与整理》(项目编号:22JZ052)的阶段性研究成果。

摘　　要：利用画面中的视觉元素展开图像叙事是主题性创作的关键。水墨由于自身的艺术语言本体特征,时常被认为具有相对有限的视觉叙事能力,因而较少出现在主题性创作中。事实上,水墨作为一种历史悠久的艺术表现形式,潜藏着丰富的叙事潜力。本文通过分析石鲁《转战陕北》的画面语言,尝试梳理水墨的叙事表现特点,并归纳水墨语言在当代主题性创作中的转译方式。Using visual elements in paintings to construct image narrative is key to theme-based creation.However,ink painting is always considered to be limited in visual narrative due to its language characteristics,thus rarely appearing in theme-based creation.In fact,as a time-honored form of artistic expression,ink painting has great narrative potential.By analyzing the image language of Shi Lu's Fight in Northern Shaanxi,this article tries to comb through the narrative characteristics of ink painting and summarize the way of transforming ink painting language in contemporary theme-based creation.

关 键 词：石鲁 转战陕北 主题性创作 水墨语言 视觉叙事 

分 类 号：J212[艺术—美术]