继承与超越——论王华《大娄山》的美学意蕴  

Inheritance and Transcendence

作　　者：何加玮 He Jiawei

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《高原文化研究》2023年第4期125-130,共6页Plateau Culture Research

摘　　要：王华的《大娄山》继承了十七年小说现实主义的创作手法,通过娄山县新任县委书记姜国良带领全县人民冲刺脱贫决胜阶段的故事描写,真实地再现了中国农村纷繁复杂的社会现实及农民丰富多元的生活图景,塑造出一个个血肉丰满、真实可感的基层干部形象和农民形象。与以往的脱贫攻坚主题文学相比,这部小说从三个方面突破了脱贫攻坚主题文学的创作模式:第一,采用多线交叉的网状叙事结构,体现出作者对乡土及农民命运的深层思考与深切忧思;第二,塑造了鲜活生动的农民及扶贫干部群像,体现出审美日常化的特点;第三,继承中国的抒情传统,强调以情动人,以情化人。Wang Hua's “Dalou Mountain” inherits the creative techniques of seventeen years of novel realism,through Loushan county magistrate guo-liang jiang sprint led the county-wide people out of poverty decisive phase of the story about truly reproduce the social reality of China's rural complex and farmers rich picture of life,create a small flesh plump,true epic image of grassroots cadres and farmers image.Compared with previous poverty alleviation themed literature,this novel breaks through the creation mode of poverty alleviation themed literature from three aspects.First,it adopts the network narrative structure with multiple lines crossing,which reflects the writer's deep thinking and deep concern about the fate of the countryside and farmers.Second,the vivid images of farmers and poverty alleviation cadres are created,reflecting the characteristics of daily aesthetic.Thirdly,inheriting the Chinese lyric tradition,it emphasizes moving people with emotion and transforming people with emotion.

关 键 词：《大娄山》 多线交叉 审美日常化 抒情 

分 类 号：I206.7[文学—中国文学]