试论吴梅与昆剧传习所、“新乐府”、仙霓社之渊源  

On the Subjective of the Origins of Wu Mei and Kunqu Opera Training Institute,New Yue fu and Xianni Group

作　　者：赵山林[1] Zhao Shanlin

机构地区：[1]华东师范大学

出　　处：《戏剧与影视评论》2023年第4期1-11,共11页Stage and Screen Reviews

摘　　要：吴梅作为一代曲学大家,与曲学界尤其昆曲界人士有着多方面交往。《吴梅日记》及现代报刊中记述了吴梅与昆剧传习所、新乐府、仙霓社有关人士的昆曲渊源。从1920年5月起,吴梅即与穆藕初有直接交流,讨论昆曲的保存问题,其后又多次参与有关活动,撰写评论,对于昆剧传习所的建立健全,扩大昆剧的社会影响,起到了积极的推动作用。1927年,“新乐府”昆班建立之后,吴梅与其继续保持联系,并将剧本《湘真阁》交付顾传玠、朱传茗等演出。仙霓社成立之后,吴梅同传字辈艺人仍然保持联系,随时关心指导,1935年更与汪东、胡小石先生大力扶持了仙霓社在南京二十多天的演出。吴梅对昆剧传习所、“新乐府”、仙霓社的关注、支持,不应遗忘。As a great master of opera,Wu Mei had many contacts with people in the world of opera,especially in the world of kunqu.The Diary of Wu Mei and modern newspapers and magazines describe Wu Mei's kunqu connections with people from the Kun Opera Training Institute,NewYuefu,and Xianni Group.From May 1920,Wu Mei had direct communication with Mu Ouchu,discussing the preservation of kunqu,and then participated in many related activities and wrote reviews,which played a positive role in promoting the establishment of the Kunqu Opera Training Institute and expanding the influence of the society.In 1927,after the establishment of the New Yuefu',Wu Mei continued to keep in touch with it and sent the play'Xiangzhenge'to Gu Chuanjie and Zhu Chuanming for performance.After the establishment of the Xianni Group,Wu Mei kept in touch with the artists of the‘Chuan'generation,and was always concerned about their guidance.In 1935,Wu Mei,together withWang Dong and Hu Xiaoshi,supported the performance of the Society in Nanjing for more than twenty days.Wu Mei's concern and support for the Kun Opera TrainingInstitute,NewYuefu and the Xianni Group should not be forgotten.

关 键 词：吴梅 传习所 “新乐府” 仙霓社 

分 类 号：J82[艺术—戏剧戏曲]