夏衍戏剧创作主题及其衍生历程  

The Theme and Derivative Process of Xia Yan's Drama Creation

作　　者：姚佳根 宣晓晏 Yao Jiagen;Xuan Xiaoyan

机构地区：[1]天津传媒学院戏剧影视文学系 [2]北京服装学院商学院

出　　处：《戏剧与影视评论》2023年第4期32-41,共10页Stage and Screen Reviews

基　　金：“北京服装学院高水平教师队伍建设专项资金”支持(项目编号为:BIFTXJ202240)的阶段性研究成果。

摘　　要：夏衍的戏剧创作存在个体表达与政治动员的结构性矛盾,消解、统一这对矛盾成为夏衍创作经历的主要线索。将抒情诗人般的个性生命抒发与时代和历史洪流紧密相融,构成了夏衍剧作“时代一个人”的表达结构,并在调整、巩固中实现了两者的真正统一,体现于“大圈子”和“小圈子”这一创作意向中,最终明确了其戏剧创作主题。There is a structural contradiction between individual expression and political mobilization in Xia Yan's drama creation.Resolving and unifying this contradiction has become the main thread of Xia Yan's creative experience.The close integration of the lyrical poet's personal life expression with the tide of time and history forms the expression structure of Era-Individual in Xia Yan's drama works,and through adjustment and consolidation,the true unity of the two is achieved,reflected in the creative intention of the Big Circle and the Small Circle,ultimately clarifying the theme of his theatrical creation.

关 键 词：夏衍剧作 创作主题 表达结构 

分 类 号：I20[文学—中国文学]