电影的非常规叙述人分析  

Analysis of Unconventional Narrators in Movies

作　　者：邹贤尧 Zou Xianyao

机构地区：[1]浙江师范大学艺术学院

出　　处：《戏剧与影视评论》2023年第4期42-49,共8页Stage and Screen Reviews

摘　　要：影片的叙述人或是隐含作者,或是人物,前者一般以全知视角(有时也以纯客观视角)讲述、呈现故事,后者一般以限制性视角讲述故事。但实际情况往往会打破常规,突破限制,甚至违背逻辑和常理,以越位的限制性叙事、极致的多人叙事、打破“第四堵墙”的间离叙事等,对常规的视角、叙述和时空做出变形处理,使电影的故事获得超越性观照,使影片带上开放性、陌生化、奇观化特征。The narrator of the film is either the implied author or the character.The former generally tells/presents the story from an omniscient perspective(sometimes also from a purely objective perspective),while the latter generally tells the story from a restrictive perspective.However,the actual situation often breaks through conventions,breaks through limitations,and even goes against"logic"and"common sense".By using offside restrictive narratives,extreme multiplayer narratives,and breaking the fourth wall of alienation narratives,the conventional perspective,narrative,and time and space are transformed,allowing the story of the film to gain a transcendent perspective,and giving it an open,unfamiliar,and spectacle like feature.Multiple narratives.

关 键 词：影片叙述人 隔代叙述 亡灵叙述 多人叙述 间离叙述 

分 类 号：J90[艺术—电影电视艺术]