因《不了情》生《多少恨》:从色彩词、意象看张爱玲的电影小说创作  

From Love Everlasting to How Much Regret:Analyzing Eileen Chang's Film-novel Writing by Color Words and Imageries

作　　者：陈琪荣 Chen Qirong

机构地区：[1]大阪公立大学大学院文学研究科都市文化研究中心

出　　处：《戏剧与影视评论》2023年第3期58-72,共15页Stage and Screen Reviews

摘　　要：张爱玲的小说《多少恨》根据其编剧的电影作品《不了情》改写而成,是张爱玲创作生涯中唯一一篇电影小说。通过分析电影小说《多少恨》中色彩词、意象的使用情况,可以发现,作为张爱玲仅有的一篇电影小说,《多少恨》继承了其一贯华丽苍凉的文风,既为电影增光添彩,起到补充说明的作用,又难免受到了电影的诸多影响,呈现出强烈的视觉性特征。通过梳理张爱玲创作这两种体裁作品时与胡兰成的情感纠葛,以及在两种体裁中对同一道具的不同处理,可以推断张爱玲当时复杂的心路历程对其创作电影小说产生的重要影响,同时也佐证了电影小说的创作行为本身会受内外诸多因素影响的矛盾属性。As Eileen Chang's only film-novel,How Much Regret is a rewrite based on her screenplay for the film Love Everlasting.By analyzing the usage of color words and imageries in the film-novel Hozw Much Regret,it can be proved that as Eileen Chang's sole film-novel,on one hand,Hoz Much Regret retained her exquisite and desolate writing style consistently.On the other hand,as an embellishment to the film Love Everlasting,it not only provided supplementary explanations for the film,but also was unavoidably influenced by it.As a result,this novel displayed a strong visual characteristic.Furthermore,by examining Eileen Chang's romantic entanglement with Hu Lancheng during the period of creating this screenplay and film-novel,this paper may come to a conclusion that Eileen Chang's complex mental journey at that time significantly impacted her creation of film-novels.This can also corroborate the contradictory property of film-novels that the creative process of it is susceptible to various internal and external factors.

关 键 词：张爱玲 《不了情》 《多少恨》 电影小说 

分 类 号：I20[文学—中国文学]