贡布里希对漫画生成机制的心理学原因探究  

Gombrich’s Exploration of the Psychological Reasons for the Generation Mechanism of Caricatures

作　　者：张宏[1] 周丽明[1] ZHANG Hong;ZHOU Li-ming

机构地区：[1]哈尔滨师范大学文学院,哈尔滨150025

出　　处：《北方论丛》2024年第2期101-107,共7页The Northern Forum

基　　金：2019年黑龙江省哲学社会科学专项项目“贡布里希艺术史学思想研究”(19WWD215)。

摘　　要：欧洲漫画在相当长的时间里被认为是不入流的艺术,贡布里希一反历史上对漫画艺术的偏见,运用图像学方法深入剖析漫画特别是肖像漫画的历史生成机制及其深层的心理学原因。他以“相貌恒常性”“图像等效性”等图像学方法揭橥人的知觉奥秘、图像心理和漫画心理演变原因。他的目的不是阐述“欧洲漫画史”,而是要揭开肖像漫画的生成机制以及它的重要历史地位和存在意义。In Europe,caricature has been considered as an inferior art form for quite a long time.Gombrich,contrary to the historical prejudice against the art of caricature,uses the method of iconography to deeply analyze the historical generation mechanism of caricature,especially the portrait of caricature,as well as its deep-rooted psychological reasons.He used the iconographic methods such as“appearance constancy”and“image equivalence”to reveal the mystery of human perception,image psychology and the evolution reasons of cartoon psychology.His purpose is not to elaborate on the“history of European comics”,but to unravel the mechanism of the creation of the portrait caricature and its important historical position and existence significance.

关 键 词：贡布里希 漫画 生成机制 滑稽 高级玩笑 

分 类 号：J218.2[艺术—美术]