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作 者:郝成文 阮昱诚 HAO Cheng-wen;RUAN Yu-cheng(School of Drama and Film,Shanxi Normal University,Taiyuan 030031)
机构地区:[1]山西师范大学戏剧与影视学院,山西太原030031
出 处:《阴山学刊》2024年第2期14-20,共7页Yinshan Academic Journal
基 金:国家社科基金重大项目“清代宫廷戏剧史料汇编与文献文物研究”子项目“清宫戏曲文物搜集整理与研究”(20&ZD270)。
摘 要:浴佛节,或称为佛诞节,有着二月初八、四月初八、十二月初八等多种日期的说法,明清固定为四月初八。清代宫廷传承明代旧例,吸收汉民族文化传统,结合自己的萨满信仰、边疆政策,开创了盛大的浴佛盛会,包括司祝的浴佛之礼、喇嘛的祈愿舞蹈、寺院和内廷献戏。一系列的“礼乐”仪式之中,承应戏是浴佛盛会的重要组成部分。The Buddha Bathing Festival,also known as the Buddha’s Birthday Festival,is often celebrated on February 8th,April 8th,December 8th,etc.It was celebrated on the 8th day of the 4th lunar month during the Ming and Qing Dynasties.The Qing Court inherited the old practices of the Ming Dynasty and absorbed the cultural traditions of the Han nationality,combined with their own shamanistic beliefs and border policies,created a grand Buddha-bathing event,including Si Zhu’s(司祝)Buddha-bathing ceremony,lamas Prayer dances,temple and inner court drama performances.Among a series of“rituals and music”rituals,the Chengying Opera is an important part of the Buddha Bathing Ceremony.
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