自我,或他者的面孔——“90后”小说的城市体认与情感叙述  

The Self,or the Faces of the OtherUrban Perception and Emotional Narration in the Novels by the Post-1990s Generation

作　　者：徐刚[1] Xu Gang

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《中国文学批评》2024年第1期144-152,M0006,共10页Chinese Journal of Literary Criticism

摘　　要：当代“90后”小说家的城市写作总是习惯从自我出发,通过个体经验的确证,以自我指认的方式投射一种社会寓言。在自我的极限之外,他们会展开一种他者的想象,并试图触摸城市边缘,让“隐匿的人群”得以呈现,写作的意义也更显宏大。正是在这种由自我向世界,乃至向边缘之地的辐射过程中,陌生人或他者的面孔开始渐次浮现,由此也展现出城市体认与情感叙述的独特意义和复杂性所在。The novelists born in the 1990s often start the writing of cities from themselves.The confirmation of individual experience helps them to project a social fable by means of self identification.Beyond own limits,they will engage in an imagination of the other while attempting to touch upon the“periphery”of the cities to reveal the“concealed crowd”so that the meaning of writing becomes grander.it is in this process of radiating oneself to the world or even to the marginal areas that the faces of strangers or the other start to emerge,which as well demonstrates the unique significance and complexity of urban perception and emotional narration.

关 键 词：城市文学 “90后” 情感 小说 

分 类 号：I206[文学—中国文学]