由黄药眠看橙色创造社的文学存在  

From Huang Yaomian’s Perspective on the Literary Existence of the Orange Creation Society

作　　者：朱寿桐[1] Zhu Shoutong

机构地区：[1]澳门大学中文系,中国

出　　处：《中国文艺评论》2024年第2期81-89,I0003,共10页China Literature and Art Criticism

摘　　要：由黄药眠的革命文学实践以及《黄花岗上》等诗作,可以分析出橙色创造社的存在。橙色创造社在革命文学的洪流中加入了红色创造社的革命文学倡导与实践,同时也救正了红色创造社的一些疏漏与不足,并且以自身的贡献证明了革命文学运动的丰富性和多层次性的内涵。对于创造社来说,橙色创造社还是连接红色创造社与蓝色创造社的重要纽带。即使是在左翼文学运动史上,橙色创造社所起的作用以及所展示的价值也不容低估。橙色创造社开辟了以浪漫、唯美和象征色调表现革命情绪的文学路数,其实是从艺术和审美的角度将革命情绪作个人化、艺术化和审美化处理的一种值得肯定的路数,当然其结果会导致红色革命情绪向橙色情绪淡化、漫漶。The existence of the Orange Creation Society can be analyzed from Huang Yaomian’s revolutionary literary practice and his poems such as“On the Yellow Flower Hill”.The Orange Creation Society joined the revolutionary literary advocacy and practice of the Red Creation Society in the torrent of revolutionary literature,while also correcting some of the omissions and deficiencies of the Red Creation Society,which by its own contribution proved the richness and multi-layered connotations of the revolutionary literary movement.For the Creation Society,the Orange Creation Society was also an important link between the Red Creation Society and the Blue Creation Society.Even in the history of the left-wing literary movement,the role played by the Orange Creation Society and the value it demonstrated cannot be underestimated.The Orange Creation Society opened up a literary orientation of expressing revolutionary emotions in romantic,aesthetic and symbolic tones,which was in fact a commendable way of personalizing,artifying and aestheticizing revolutionary emotions from an artistic and aesthetic point of view,but of course its result would lead to the dilution and diffusion of red revolutionary emotions to orange ones.

关 键 词：黄药眠 《黄花岗上》 橙色创造社 

分 类 号：I206.6[文学—中国文学]