《金瓶梅》中的“戏事”叙述及其“拟剧”通解  

The Narration of“Drama”in The Golden Lotus and Its General Explanation of“Imitation of Drama”

作　　者：李桂奎 LI Guiku(School of International Cultural Exchange,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学国际文化交流学院,上海200433

出　　处：《烟台大学学报（哲学社会科学版）》2024年第1期109-119,128,共12页Journal of Yantai University(Philosophy and Social Science Edition)

基　　金：国家社科基金重大项目“中国古代小说理论术语考释与谱系建构”(19ZDA247)。

摘　　要：《金瓶梅》热衷于通过作戏、调戏、情戏等人间男女“戏事”叙述,以达成人情小说创作之“戏趣”。这种“戏事”叙述既是对明代风行的“人生如戏”观念的投射,又是作者乐于传达世人逢场作戏生活态度的自觉,其内在的戏谑性、戏弄感引人玩味。在具体运作中,作者既戏拟并反讽了传统诗歌与戏剧中的“调戏”叙事母题,又采取“窥探”视角展现了各种隐秘的“情戏”。《金瓶梅》中的这种“戏事”叙述既迎合了世人猎奇心理,满足了读者的偷窥欲,又传达出“如戏”人生况味、“机趣”审美兴味,给人以“活剧”感。The Golden Lotus is passionate about narrating the"dramatic events"that unfold between men and women,involving acting,flirting,and sexual dramas in order to achieve the"dramatic interest"of human relationship novels.This portrayal of these"theatrical events"not only reflects the popular concept of"life is like a play"during the Ming Dynasty,but also showcases the author's conscious willingness to convey the society's attitude towards acting on the spot.The inherent playfulness and teasing nature of these events are intriguing.In the execution of the narrative,the author not only parodies and satirizes the themes of"flirting"found in traditional poetry and drama,but also adopts a"prying"perspective to showcase various hidden"sexual dramas".The depiction of"dramatic events"in The Golden Lotus not only caters to the curiosity of the world,satisfies readers'desire for peeping and voyeurism,but also conveys the aesthetic taste for a"dramatic"life and"Jiqu(机趣)"life,giving readers a sense of witnessing a"live drama".

关 键 词：戏事 以剧为稗 戏拟 拟剧批评 审美机趣 《金瓶梅》 

分 类 号：I207.41[文学—中国文学]