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作 者:王满特嘎 WANG Manteg(School of Chinese Ethnic Minority Languages and Literature,Minzu University of China,Beijing 100081,China)
机构地区:[1]中央民族大学中国少数民族语言文学学院,北京100081
出 处:《内蒙古民族大学学报(社会科学版)》2023年第6期69-75,共7页Journal of Inner Mongolia Minzu University:Social Sciences
摘 要:外蒙古现代民族戏剧文学是从1921年蒙古人民革命取得胜利后生成并发展起来的,第一部革命剧是S.宝音尼木和1922年创作的历史剧《三多办事大臣》。外蒙古“国立中央剧院”于1931年建成,诞生了第一批剧作家和专业演员,从此蒙古民族戏剧文学步入新的发展轨道。从20年代外蒙古的戏剧艺术中能够看到中国传统舞台艺术的影响,这对深入研究和探讨“一带一路”沿线地区蒙古文戏剧文学及相互影响具有重要意义。The paper analyzes the dramatic literature of outer Mongolia in the 1920s and 1930s,and puts forward the following three basic points.First,the modern national drama literature of Mongolia did not come in-to being or develop until the victory of the Mongolian people’s revolution in 1921 and the first revolutionary drama was the historical drama Amban Sando written by S.Buyannemeh in 1922.Second,the National Central Theater of outer Mongolia was completed in 1931,and the first batch of playwrights and actors were born after-wards.Since then,Mongolian national drama literature has entered a new development track.Third,the influ-ence of Chinese stage art can be seen in the dramatic art of outer Mongolia in the 1920s,which is of great sig-nificance for the in-depth study and discussion of Mongolian dramatic literature and mutual influence of the countries along the Belt and Road.
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