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作 者:王琳夫 朱惠国[2] Wang Linfu;Zhu Huiguo(School of Literature,Liaoning University,Shenyang 110136,China;Department of Chinese Language,East China Normal University,Shanghai 200241,China)
机构地区:[1]辽宁大学文学院,辽宁沈阳110136 [2]华东师范大学中国语言文学系,上海200241
出 处:《浙江大学学报(人文社会科学版)》2024年第2期142-151,共10页Journal of Zhejiang University:Humanities and Social Sciences
基 金:国家社科基金重大项目(18ZDA253);国家资助博士后研究人员计划(GZC20231023)。
摘 要:《词鹄》是《词律》《钦定词谱》两部名谱的中间环节,与清初制谱风潮中十余部著作有关,是一部具有学术史贯通属性的稀见词谱。作者孙致弥是康熙近臣,作者楼俨是《钦定词谱》的分纂官。《词鹄》实为《钦定词谱》之先声,关注宫调、严格互校等制谱理念被《钦定词谱》继承。二人与朱彝尊等浙派词人关系极为密切,《词鹄》也反映了清初浙西词派的声律思想。谱中指出了万树“上下片互校”“以入代平”等做法的疏失,采用“分体互见”的列调方式,标注领字、标注多音字、为换韵设计专门符号,很多设计为词学史上仅见、首见,有很高的样本价值。Ci Gu(《词》),a voluminous Cipu(a genre of works dedicated to the study of the tonal patterns in Ci-poetry)spanning fifteen volumes,was published in 1705.Due to its rarity,Ci Gu remained largely unknown in academic circles until recently.The"hundred-year fervor"of Cipu compilation and study of tonal laws,which spanned from the late Ming to the early Qing Dynasty,marked a significant reconstruction of the tradition of Ci-poetry,with Ci Gu serving as a microcosm of this transformative period.The academic significance of Ci Gu is primarily reflected in three aspects:Firstly,it provides a historical linkage in the evolution of early Qing Cipu.Ci Gu was one of the earliest works to systematically critique The Rules of Ci-poetry(《词律》).Its authors,Sun Zhimi who is Scholar-in-Attendance,a close associate of Emperor Kangxi,and Lou Yan,one of editors of the Officially Approved Cipu(《钦定词谱》).Ci Gu laid foundational concepts later adopted in the Officially Approved Cipu,such as attaching importance to modes of ancient Chinese music and rigorous cross-checking.Ci Gu bridges the gap between The Rules of Ci-poetry and Oficially Approved Cipu,also connecting with other Cipu writings likeXuanshengJi(《选声集》),Tianci Tupu(《填词图谱》),and Hong'exuanCipai(《红萼轩词牌》)Works that historically connect academic traditions are usually well-known,so discovering new documents like Ci Gu with such characteristics is particularly noteworthy.Secondly,the research approaches of Ci Gu are characterized by its unique temporal features,with many of its designs being unprecedented or singular in the academic history.The method of"interchanging categories",which means that a poem is treated as a form under two tones at the same time,and distinguishing the melody of Ci-poetry based on special performance forms are uniquely historical design concepts found only in Ci Gu.Its innovative approaches,such as marking hidden rhymes within sentences,designing special symbols for each rhyme change,and refuting Th
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