论王维山水田园诗中的绘画美与音乐美  

Aesthetics of Painting and Music in Wang Wei's Landscape and Pastoral Poetry

作　　者：李晓蕊[1] Li Xiaorui(School of Drama and Film,Shenyang Conservatory of Musi,Liaoning 110022,Shenyang,China)

机构地区：[1]沈阳音乐学院戏剧影视学院,辽宁沈阳110022

出　　处：《梧州学院学报》2023年第6期68-74,共7页Journal of Wuzhou University

基　　金：2019年沈阳音乐学院校级教育教学改革项目(2019YLY29)。

摘　　要：作为中国古代山水田园诗的代表人物,王维凭借自身卓越的文学成就和高超的绘画艺术得以名传青史,被世人称为“诗佛”。王维的诗歌受唐朝时代环境、自身绘画才能以及禅宗思想等多种因素的影响,在绘画中借助色彩、构图和光线的同时,又融入佛禅思想,所传达的意境风格清新淡远、自然脱俗,描绘出一幅幅令人心驰神往的自然山水画。该文主要围绕王维“诗画”和“诗歌”两条主线对王维诗歌中体现的绘画美与音乐美进行分析,然后分别阐述其深层意蕴,并进一步分析其绘画与音乐的美学。As a representative figure of ancient Chinese landscape and pastoral poetry,Wang Wei,renowned as the“Buddha of Poetry”,achieved enduring recognition through his outstanding literary accomplishments and exceptional skills in the art of painting.Wang Wei's poetry was influenced by various factors,including the cultural milieu of the Tang Dynasty,his own prowess in painting,and Zen philosophies.His poems,while employing color,composition,and lighting techniques from painting,also integrated Buddhist and Zen thoughts,conveying aesthetics of freshness,serenity,and transcendence,painting vivid natural landscapes that captivate the imagination.The present study primarily centers around two main themes in Wang Wei's work,“poetry”and“painting”,to analyze the manifestation of aesthetics in his poetry,both in terms of painting and music.It then elaborates on their underlying significance and further examines the aesthetics of Wang Wei's painting and music.

关 键 词：绘画美 音乐美 诗歌 王维 

分 类 号：I207.22[文学—中国文学]