《约翰·亨利的时代》的本体书写与美国非裔民间历史叙事  

Ontographic Writing and Narrative of African American Folk History in John Henry Days

作　　者：周凌敏[1] ZHOU Lingmin(School of Foreign Studies,Southern Medical University,Guangzhou 510515,China)

机构地区：[1]南方医科大学外国语学院,广州510515

出　　处：《山东外语教学》2024年第1期84-92,共9页Shandong Foreign Language Teaching

基　　金：广东省哲学社会科学“十三五”规划2020年度学科共建项目“21世纪美国非裔小说的非洲未来主义书写研究”(项目编号:GD20XWW02)的阶段性成果。

摘　　要：《约翰·亨利的时代》是美国非裔作家科尔森·怀特黑德的早期作品,本体书写是其显著的叙事特征。作品运用了文类罗列、物与人类视角并置两类本体书写方式,以此对当代非裔民间历史叙事进了批判和思考。作品展现了文本的本体存在,呈现了物的意义的引退性,进而表现了美国非裔民间历史的意义的不确定性和多元性,颠覆了非裔民间历史的主导叙事,表达了后种族时代的种族意识和种族觉醒。John Henry Days is one of African American writer Colson Whitehead’s early works.Ontographic writing is the typical narrative feature of the novel.It employs the ontographic writing by means of listing genres and juxtaposing thing perspectives and human perspective for the purpose of criticizing the current narrative of African American folk history.The ontographic writing aims to reveal the ontological existence of the text,the meaning of which is withdrawn and could not be exhausted.Such writing exhibits diverse folk histories and challenges the homogeneous and authorative version of African American history of folklore.Moreover,it manifests the ethnic consciousness and awakening in post-racial era.

关 键 词：《约翰·亨利的时代》 本体书写 美国非裔 民间历史叙事 

分 类 号：I106[文学—世界文学]