影视服装与化妆的叙事年代感建构——以电视剧《繁花》为例  

Construction of narrative time sense of film and television costumes and make-up:taking the teleplay Blossom as an example

作　　者：瞿丹姞 Qu Danji(School of Design and Art,Communication University of Zhejiang,Tongxiang 314500,China)

机构地区：[1]浙江传媒学院设计艺术学院,浙江桐乡314500

出　　处：《纺织报告》2024年第2期69-71,共3页

摘　　要：影视服装和妆容的年代感塑造了影视剧的时代背景、人物的性格和身份。文章分析了电视剧《繁花》如何通过大量时尚品牌的衣服、项链、手提包、手表以及流行的头发样式,对人物身份进行定位,刻画出人物的个性和心理情绪,从每个人的服饰、妆容建构出1992年上海的年代感,传递出年代的品位和生命力,其对历史细节的尊重和还原让剧中的服饰和妆容更具时代特点且生动真实。The sense time of film and television costumes and make-up has shaped the background of the times,characters’personality and identity of film and television.The article analyzes how the teleplay Blossom uses a large number of fashion brand clothes,necklaces,handbags,watches and popular hair style to position the identity of the characters,portray their personality and mood,and construct a sense of the 1992 Shanghai era from each person’s costumes and makeup,conveying the taste and vitality of the era.Its respect and restoration of historical details make the costumes and makeup in the teleplay more vivid and realistic with the characteristics of the times.

关 键 词：《繁花》 年代感 服装和化妆 人物形象 

分 类 号：J523.5[艺术—艺术设计]