中韩古装电影服饰造型美学比较研究  

Comparative study on the modeling aesthetics of Chinese and Korean ancient costume film costumes

作　　者：李忠敏 Li Zhongmin(Xi’an Polytechnic University,Xi’an 710048,China)

机构地区：[1]西安工程大学,陕西西安710048

出　　处：《纺织报告》2024年第2期72-74,共3页

基　　金：陕西省教育厅2021年度重点科研计划项目(哲社重点研究基地项目)“中韩史剧影视女性服饰美学比较研究”(21JZ026);2020年西安工程大学哲学社会科学研究专项课题“中韩史剧影视民族服饰美学比较研究”(2020ZSZD05)。

摘　　要：影视服饰代表一定阶级的经济利益和政治主张,具有民族性和倾向性。尽管中韩两国的电影所展现的服饰文化、形象内涵、外观造型各不相同,但其自身所蕴含的民族文化阐释大体相通。文章对中韩两国古装电影服饰造型美学进行比较研究,讨论影视服饰的造型审美价值、功能性相融下的综合性美学意义,为中韩两国古装电影服饰研究提供参考依据。Film and television costumes represent the economic interests and political propositions of a certain class,with ethnic and biased characteristics.Although the clothing culture,image connotations and appearance portrayed in Chinese and Korean films are different,the interpretations of their own ethnic cultures contained in them are generally similar.This paper conducts a comparative study on the modeling aesthetics of costume in ancient costume films between China and Republic of Korea,discusses the comprehensive aesthetic significance of the integration of modeling aesthetic value and functionality of costume in film and television.It provides a reference basis for the study of costume in ancient costume films between China and Republic of Korea.

关 键 词：电影 古装剧 服饰 美学比较 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]