小城镇女青年的本真存在状态——《立春》观后  

Real State of the Existence of Young Women in Small Towns:Views on the Film And the Spring Comes

作　　者：曹梦雅 李家林 CAO Mengya;LI Jialin(School of Communication,Shanxi Normal University,Taiyuan 041000,Shanxi,China;Anhui University,Hefei 230601,Anhui,China)

机构地区：[1]山西师范大学传媒学院,太原041000 [2]安徽大学新闻传播学院舆情与区域形象研究中心,合肥230601

出　　处：《景德镇学院学报》2024年第1期104-108,共5页Journal of JingDeZhen University

摘　　要：本文以上映于2007年,由顾长卫导演、李樯编剧、蒋雯丽主演的电影《立春》为研究对象,利用海德格尔对存在状态的概念,结合纪实美学、拉康的镜像阶段理论、女性主义电影批评三种电影理论探讨了小城镇女青年王彩玲的存在状态。本文分析认为,即便王彩玲遭遇一系列绝境困局,且最终追梦失败,但不能说王彩玲的抗争是失败的,她以清澈见底的纯洁和善良实现海德尔格对存在的高级定义“林中空地”。This paper focuses on the 2007 film And the Spring Comes,directed by Gu Changwei,written by Li Qiang,and with Jiang Wenli as the protagonist.Based on a combination of Heidegger's concepts of state of being,Lacan's theory of the mirror stage,documentary aesthetics and the thought of feminist film criticism,this study researched into the existence of Wang Cailing,a young woman in a small town and concluded that even if Wang Cailing failed to realize her dream in the end after running in and out of a a series of tough situations,it cannot be said that Wang Cailing's struggle was a failure,because she fulfilled Heidenegger's definition of lofty existence:"a clearing in the forest":with her goodness and spiritual purity.

关 键 词：电影《立春》 女性主义电影 纪实美学 

分 类 号：J905[艺术—电影电视艺术]