当代漆画中惠女形象作品的呈现——以全国美展中漆画作品为例  

The Presentation of Huinü’s Image in Contemporary Lacquer Paintings:Taking Lacquer Paintings in National Art Exhibitions as an Example

作　　者：陈璐 CHEN Lu(Fine Art and Design College,Quanzhou Normal University,Quanzhou Fujian 362000,China)

机构地区：[1]泉州师范学院美术与设计学院,福建泉州362000

出　　处：《泉州师范学院学报》2024年第1期92-97,共6页Journal of Quanzhou Normal University

摘　　要：惠女服饰与汉族其他地区女性服饰有着明显的区别,具有鲜明性、符号性、典型性,被誉为“巾帼服饰中的一朵奇葩”。惠女形象的塑造不仅要求艺术家有较高的造诣,还要求对民间文化有深入的研究。文章以全国美展中漆画的惠女形象作品为对象,剖析其典型特征和艺术表现,以期为漆画创作提供参考。Huinüclothing is obviously different from women’s clothing in other areas of the Han nationality,with its distinctive,symbolic and typical features;and is known as“a wonderful flower in the costume of women”.The shaping of Huinüimage not only requires artists to have high attainments,but also in depth research on folk culture.This article takes the Huinüimage works in the national art exhibition as the object,analyzes its typical characteristics and artistic expression,in order to provide reference for the creation of lacquer painting.

关 键 词：漆画 惠女形象 艺术表现 

分 类 号：J213.9[艺术—美术]