基于东方美学下乡土建筑的当代化思考  

Contemporary reflection on vernacular architecture based on oriental aestheics

作　　者：屈潞玲 孟凡锦 黄耘[1] Qu Luling;Meng Fanjin;Huang Yun(Landscape Architecture,Sichuan Fine Arts Institute,Chongqing 400000,China)

机构地区：[1]四川美术学院,重庆400000

出　　处：《山西建筑》2024年第7期36-40,共5页Shanxi Architecture

摘　　要：新东方美学观念的发展不仅拓展了中国传统思想历程的改变,同时引发了对当代建筑空间营造的思考。在空间实践中,通过对东方传统建筑美学的探索,并在中国传统的儒道释哲学的影响下,道法自然、形意融合、礼制秩序观念将会形成具有中国特色的建筑哲学理论框架,这是一种介于城市与乡村、传统与当代的充满矛盾却又使人向往的观念性变化。从本土文化传承、空间活化、乡土材料运用到空间环境的统一等方面剖析东方传统哲学与美学思想和乡土建筑融合的当代化转译,以期对后续相关的理论研究和实践提供参考和思路。The development of new oriental aesthetic concepts not only expands the change of traditional Chinese thought process,but also triggers the thinking of contemporary architectural space creation.In spatial practice,through the exploration of traditional oriental architectural aesthetics and under the influence of traditional Chinese philosophies of Confucianism,Taoism,Taoism and nature,the integration of form and meaning,and the concept of ritual and order will form the theoretical framework of architectural philosophy with Chinese characteristics,which is a conceptual change full of contradictions between the city and the countryside,and the traditional and the contemporary,but also makes people aspire to it.This article analyses the contemporary translation of the fusion of traditional oriental philosophical and aesthetic ideas and vernacular architecture from the aspects of local cultural inheritance,spatial revitalization,the use of vernacular materials to the unity of the spatial environment,with a view to providing references and ideas for the subsequent theoretical research and practice.

关 键 词：建筑哲学 形意 乡土建筑 当代化 

分 类 号：TU-80[艺术—艺术设计]