“狂歌”与“鸣盛”:明初诗人身份转换与台阁书写意识的勃兴  

Singing with Wild Joy and Singing for Prosperity:The Identity Transformation of Poets and the Rise of Secretariat Style in the Early Ming Dynasty

作　　者：余来明[1] Yu Laiming

机构地区：[1]武汉大学中国传统文化研究中心,湖北武汉430072

出　　处：《文史哲》2024年第2期102-115,167,共15页Literature,History,and Philosophy

基　　金：教育部人文社会科学重点研究基地重大项目“中国学术话语古今演变研究”(22JJD750042);国家社科基金人才项目“中国现代学术话语的生成与建构”(22VRC181)的阶段性成果。

摘　　要：元明易代,诸多元末隐逸文人因被征聘而成为明初文官系统一员,在身份上实现了由“韦布士”向“文学侍从之臣”的转换。缘于社会身份变化而带来的职责改变,让他们一改“狂歌”形象,在诗歌写作内容、风格及情感表达等方面做出调整,从而形成了山林诗与台阁体诗的显著分际。永乐以后台阁体诗写作之风的兴盛,与盛世建构背景下对雅颂之音的追求互为表里,鲜明地体现了馆阁文人的“鸣盛”意识。After the dynasty change from Yuan to Ming,many recluse literati in late Yuan dynasty were recruited into the civil service system of the Ming court,and realized the transformation of identity from plain folk to literary attendant.Due to the change in responsibilities brought about by the change of social identity,they changed their previous image and made adjustments on content,style and emotional expression in poetry writing,thus formed a significant distinction between the mountain-forest poetry and the Secretariat Style.The prosperous poetry writing in Secretariat Style after the reign of Yongle interacted with the pursuit of elegant sound in the context of constructing a flourishing age,which clearly reflected the consciousness of the literati in Academies and Institutes on singing for prosperity.

关 键 词：诗人身份 草泽文人 馆阁文人 台阁体 雅颂之音 

分 类 号：I207.22[文学—中国文学] K248[历史地理—历史学]