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作 者:张晶[1] ZHANG Jing(School of Environmental Art and Design,Wuxi Institute of Arts&Technology,Yixing 214200,Jiangsu,China)
机构地区:[1]无锡工艺职业技术学院环境艺术与设计学院,江苏宜兴214200
出 处:《中国陶瓷工业》2024年第1期87-92,共6页China Ceramic Industry
基 金:2022年度无锡工艺职业技术学院院级课程思政专项课题(22kt115)资助。
摘 要:我国当代漆陶的前身可追溯至肇始于新石器时期的陶胎漆器。陶胎漆器虽然出现较早,但发展并不顺利,呈现出阶段性不连续的特征,追究其根本原因是受到胎体与漆层结合度等问题的制约,不利于长久保存,导致其应用范围受限。本文试图从分析传统陶胎漆器的优势和存在问题入手,探讨新时代漆陶工艺在传承和发展过程中应注意的问题。当今,在先进设计理念的指引下,综合发挥漆和陶工艺所长,规避古代陶胎漆器的弊端,漆陶工艺必将在广阔的领域中大放异彩。The history of modern Chinese lacquer pottery and craftsmanship can be traced back to the pottery lacquer ware of the Neolithic period.Although the pottery lacquer ware appeared earlier,it did not develop smoothly and showed periodic discontinuous characteristics.The root cause should be restricted by the problem of the degree of combination of the body and the lacquer layer,which is not desirable in long-term preservation and thus greatly restricted its range of use.Limited scope.This article attempts to analyze the advantages and problems of traditional lacquer ware,and discuss the problems that should be paid attention to in the inheritance and development of lacquer and pottery in the new era.Today,under the guidance of advanced design concepts,craftsmanship of lacquer and pottery are to be used comprehensively so as to avoid the disadvantages of ancient pottery lacquerware.Lacquer pottery crafts will surely shine splendidly in a wider field.
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