现代性绘画艺术与潘玉良绘画作品关系探析  

On the Characteristics of Modern Painting and Its Embodiment in Pan Yuliang’s Paintings

作　　者：李京 LI Jing

机构地区：[1]淮南师范学院美术与设计学院,安徽淮南232038

出　　处：《淮南师范学院学报》2024年第1期113-119,共7页Journal of Huainan Normal University

基　　金：2021年度安徽高校人文社会科学研究重点项目“潘玉良绘画作品的现代性研究”(SK2021A0548);2020年度安徽省哲学社会科学规划一般项目“新徽派油画的地域特色及其审美研究”(AHSKY2020D112);2023年度校级一般研究项目“女性主义视角下潘玉良人体画研究”(2023XJYB013)。

摘　　要：作为西画东渐第三途径的典型代表,潘玉良的绘画作品具有鲜明的现代性意味,其绘画之路是一条不断摆脱西方传统绘画范式,逐步走向自主自足的过程,她极具开放性的绘画探索至今仍具有借鉴意义。文章基于潘玉良绘画的本体语言,运用图像学、符号学、色彩学的研究方法,探讨现代性绘画方法对潘玉良绘画作品的影响及体现,进而总结潘玉良绘画艺术在中国现代绘画领域作出的贡献。As a typical representative of the third way for Western painting to spread eastward, Pan Yuliang's painting works have a distinct sense of modernity. Her painting is a process of constantly breaking away from the traditional Western painting paradigm and gradually moving towards independence. Her highly open exploration of painting is still worth reference today. The article focuses on the ontology language of Pan Yuliang's painting, using research methods such as iconography, semiotics, and color studies to explore the characteristics of modern painting and its manifestation in Pan Yuliang's painting works. It affirms Pan Yuliang's contributions in the field of modern painting and further confirms her position in the history of modern Chinese painting.

关 键 词：潘玉良 现代性绘画 象征性符号 表现性语言 

分 类 号：J205[艺术—美术]