海事遗珍——清末外销画中的船舶画  

Ship Paintings in Export Paintings of the Late Qing Dynasty

作　　者：王毛子 WANG Maozi

机构地区：[1]广州航海学院

出　　处：《丝网印刷》2024年第4期85-87,共3页Screen Printing

基　　金：2023年广州航海学院科研启动项目“基于海上丝路的大湾区航海船业艺术创作研究”的研究成果(编号K42022119)。

摘　　要：以清末外销画中的船舶绘画为研究对象,探讨其发展背景、艺术特征和文化意义。分析认为其是一种具有双重视角和双重语言的艺术,既展现了中国画家对船舶的观察和理解,也体现了西方海事文化对近代中国文化的影响,是联通东西文化的视觉桥梁。This article takes the ship painting among the export paintings of the late Qing Dynasty as the research object,and explores its development background,artistic characteristics and cultural significance.Analysis believes that it is an art with dual perspectives and dual languages.It not only shows the observation and understanding of ships by Chinese painters,but also reflects the influence of Western maritime culture on modern Chinese culture.It is a visual bridge connecting Eastern and Western cultures.

关 键 词：外销船舶画 海事文化 东西交流 

分 类 号：K252[历史地理—历史学] J209.2[历史地理—中国史]