电影《交换人生》:人性异化与救赎的影视表达  

Five Hundred Miles:The Film and Television Expression of Human Alienation and Redemption

作　　者：董亭亭 DONG Tingting(School of Liberal Arts,Guizhou Normal University,Guiyang,Guizhou 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《开封文化艺术职业学院学报》2023年第6期94-99,共6页Journal of Kaifeng Vocational College of Culture & Art

摘　　要：电影《交换人生》不仅凭借着“奇幻+喜剧”的叙事模式,为观众营造了欢乐的节日氛围,而且展现了在当今消费社会语境下人性的异化,即对金钱的狂热追求和社会人际关系的复杂冷漠。在实现异化人性的救赎层面,导演将满足简朴的生活与温暖亲情唤醒良知作为其主要救赎路径。相比电影《万里归途》的宏大归家叙事,影片采用了个体回归温暖小家庭的叙事模式,这与春节回家与亲人团聚的观众产生了深切的情感共鸣,因此这部影片在春节档影片中得以脱颖而出,为我国的“归家”电影叙事模式提供了新的表达范式。The film Five Hundred Miles not only creates a happy festival atmosphere for the audience by the narrative mode of“fantasy+comedy”,but also shows the alienation of human nature in the context of today’s consumer society,that is,the fanatical pursuit of money and the complex indifference of social interpersonal relations.In the aspect of realizing the redemption of alienated human nature,the director takes satisfying simple life and warming family affection to awaken conscience as his main redemption path.Compared with the grand homecoming narrative of the film Home Coming,the film adopts the narrative mode of individuals returning to warm small families,which has deep emotional resonance with the audience who go home to reunite with their relatives during the Spring Festival.Therefore,this film stands out among the Spring Festival films and provides a new expression paradigm for the narrative mode of“homecoming”films in China.

关 键 词：电影《交换人生》 人性异化 家庭亲情 温暖救赎 

分 类 号：J905[艺术—电影电视艺术]