多元文化下云南室内设计的概念、定位及其深度解析  

The Concept Positioning,and Deep Analysis of Interior Design in the Current Context

作　　者：杨佳仪 徐钊[1] YANG Jiayi;XU Zhao(School of Art and Design,Southwest Forestry University,Kunming 650224,China)

机构地区：[1]西南林业大学艺术与设计学院,云南昆明650224

出　　处：《鞋类工艺与设计》2024年第4期102-104,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：在20世纪中叶后,室内设计逐渐崭露头角,发展成为一门独立的学科,其中现代主义建筑运动对其从装饰走向空间设计的演变起到了关键作用。戴念慈先生强调建筑设计的核心在于内涵的建筑空间,将空间效果视为建筑艺术的最终目标。相对于处理结构和建筑体系,多元化的室内设计更为困难,需要更专门的训练。本文从云南现代室内设计环境需求出发,探索云南室内民居多元文化的深度解析,从而探索室内空间设计情绪丰富化、需求化。探索出云南室内设计在多元文化冲击下,所发生的内部变化,从而更加了解云南民居室内设计的丰富内涵。After the middle of the 20th century,interior design gradually emerged and developed into an independent discipline,in which modernist architectural movement played a key role in its evolution from decoration to space design.Mr.Dai Nianci emphasized that the core of architectural design lies in the connotative architectural space,and regarded the spatial effect as the ultimate goal of architectural art.Compared with dealing with structures and architectural systems,diversified interior design is more difficult and requires more specialized training.Based on the demand of modern interior design environment in Yunnan,this paper explores the in-depth analysis of the multi-culture of indoor dwellings in Yunnan,so as to enrich and demand the interior space design.The internal changes of Yunnan interior design under the impact of multi-culture were explored,so as to better understand the rich connotation of Yunnan residential interior design.

关 键 词：室内设计 多元文化 空间结构 云南少数民族民居 

分 类 号：TU238.2[建筑科学—建筑设计及理论]